In 1642 she succumbed to illness, thought to be tuberculosis, just as Rembrandt was completing the Night Watch. Etching, state I(3). 1011 NK Amsterdam They were engaged in June, and married a year later, living at the house in the Jodenbreestraat until 1635. Although … Het paar kreeg vier kinderen, van wie er drie kort na de geboorte overleden. Student / ISIC Card: € 10 Vliesbehang is afwasbaar met een zachte vochtige doek. Rembrandt, Self-portrait with Saskia: the pigment analysis reveals ingenious painting technique and masterful handling of the medium. Two years later he made this sheet of studies. Style: Baroque. It was not until thirteen years later, when he was up to his neck in debt and in urgent need of money, that he sold it to his good friend Jan Six I. Saskia van Uylenburgh, the daughter of a burgomaster of Leeuwarden in Friesland, was Rembrandt’s first wife. Find more prominent pieces of portrait at Wikiart.org – best visual art database. The image size is 15.1 x 12.6 cm. Portrait of the Young Saskia, 1633 - Rembrandt - WikiArt.org ‘Portrait of the Young Saskia’ was created in 1633 by Rembrandt in Baroque style. The work’s likely role as a legal document is suggested by Rembrandt’s decision to use parchment as a support – a material used in this period for certificates. Find more prominent pieces of portrait at Wikiart.org – … Rembrandt's late Flora was probably painted about 1654. Materiaal: Hoogwaardig Vliesbehang (dus veel beter dan papierbehang). ICOM: free Her gorgeous gown is a … Bestand:Rembrandt, Portrait of Saskia van Uylenburgh, 1633, Rijksmuseum Amsterdam.jpg Uit Wikipedia, de vrije encyclopedie Naar navigatie springen Naar zoeken springen Rembrandt’s young wife Saskia van Uylenburgh appears as a frequent subject in the artist’s works. Children under age 6: free Berlin boasts a silverpoint drawing, originally intended as an engagement memento, which numbers among the most personal works created in Rembrandt’s hand. museum@rembrandthuis.nl 1633' Datum: 8 juni 1633: Bron: Broos, Ben (2012) Saskia, de vrouw van Rembrandt, p. 33: Auteur: Rembrandt van Rijn: As far as Rembrandt was concerned, this painting must have been an important personal project. Object of the week #47 | Rembrandt, Five studies of the head of Saskia, and one of an older woman, 1636. The mount is cream coloured, 30 x 40 cm. After his death in 1624 his young daughter Saskia followed her sister Hizkia and her husband Gerrit van Loo, who became her guardian, when they settled in the northern town of Sint Annaparochie in 1627. Etching, only state, The Rembrandt House Museum, Amsterdam. There are no first-hand accounts of Rembrandt's relationship with Saskia, but you can tell from the sensitivity of her portraits that he adored her. She is dressed as Flora, the Roman goddess of spring and fertility. An added complication is that Saskia’s face was the inspiration for a facial type that Rembrandt often used. The portrait is dignified and restrained, but has great visual richness; it is a distinguished portrait that does justice to Saskia’s well-bred origins. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the definition of a portrait. Portrait of Saskia van Uylenburgh. He kept this copy with him in memory of his great love, whom he had lost so tragically young. Order Oil Painting. +31 (0)20 520 0400 Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, Kupferstichkabinett, Staatliche Museen zu Berlin. Five studies of the head of Saskia, and one of an older woman (B365), 1636. Saskia van Uylenburgh (West Frisian: Saakje fan Uylenburgh; 2 August 1612 – 14 June 1642) was the wife of painter Rembrandt van Rijn.In the course of her life, she was his model for some of his paintings, drawings and etchings.She was the daughter of Rombertus Uylenburg, the mayor as well as the justice of the Court of Friesland. Etching, only state. This sheet of studies contains five studies of Saskia and top left, a portrait of another, older woman. Created in the year of their marriage, this painting shows the love and admiration the artist felt for the young woman. ‘Visa rosa est’ was a popular saying during the Baroque period, which equated life to a rose – in full bloom today, fading tomorrow. Self-portrait with Saskia (B19), 1636. She bore him four children, of whom only the last one, Titus, survived infancy. Etching. Genre: portrait. handprinted etchings of Rembrandt from photographically reproduced plates, featuring (self) portraits of Rembrandt and Saskia Wearing a wide-brimmed hat, Saskia supports her head on her left arm, while in her right hand she holds a flower, possibly a rose. He was notably the last visitor of William of Orange just before his assassination. 8 January 1634.’ The word ‘betrothal’ refers to the promise of marriage; the wedding eventually took place on 22 June 1634. In that year her husband the Reformed preacher Johannes Silvius was having a portrait etching made by Rembrandt, working in the house and studio of another cousin, the portrait broker Hendrick Uylenburgh. Even then, though, Rembrandt could not let it go altogether and he got his pupils to make a free copy of it. It shows Saskia in a magnificent, elaborate fantastical costume of crimson velvet, fur and a spectacular wide-brimmed hat with an ostrich plume. It is possible that Rembrandt presented his fiancée with the (presumably framed) drawing as a form of assurance of his promise of marriage. Rembrandt studio (possibly Abraham van Dijck) Portrait of Saskia Uylenburgh, c. 1652 Oil on canvas, 112 x 89 cm Antwerp, Koninklijk Museum voor Schone Kunsten{"@context":"http:\/\/schema.org\/","@type":"BlogPosting","name":"Seeing double: Rembrandt\u2019s portrait of his wife Saskia","image":{"@context":"http:\/\/schema.org\/","@type":"ImageObject","url":"https:\/\/www.rembrandthuis.nl\/wp-content\/uploads\/2019\/02\/rembrandt-atelier-mogelijk-abraham-van-dijck-portret-van-saskia-ca.-1652.-112x89-koninklijk-museum-voor-schone-kunsten-antwerpen-jpeg-2.jpg","width":908,"height":523},"headline":"Seeing double: Rembrandt\u2019s portrait of his wife Saskia","datePublished":"2019-02-21T14:54:37+00:00","dateModified":"2019-02-21T14:54:37+00:00","mainEntityOfPage":"https:\/\/www.rembrandthuis.nl\/seeing-double-rembrandts-portrait-of-his-wife-saskia\/?lang=en","author":{"@context":"http:\/\/schema.org\/","@type":"Person","name":"Nathalie Maciesza","givenName":"Nathalie","familyName":"Maciesza","email":"n.maciesza@rembrandthuis.nl"},"publisher":{"@context":"http:\/\/schema.org\/","@type":"Person","name":"Nathalie Maciesza","givenName":"Nathalie","familyName":"Maciesza","email":"n.maciesza@rembrandthuis.nl"}}, Jodenbreestraat 4 ( B19 ), 1636, staatliche Museen zu Berlin painting technique masterful! 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